Year: 2016

Mobile Marketing Media: Changing Radio Effectiveness?

As effective as radio is, there are still some obstacles in regards to consumer response. In some cases, when hearing an advertisement, potential customers can’t write down the number or remember it later. Texting laws are also limiting customer’s abilities to type on their phones while driving.

#250 Mobile media Marketing#250, a mobile speed dialing service, is providing an easier response method that is hoping to capture more leads for your advertisement. According to their website, “#250 (pound two-fifty) is a speed dial that works right now on virtually all mobile phones in the US and Canada.  Advertisers use it as a replacement for long phone numbers that consumers cannot remember when heard in Radio or TV ads.”

This form of mobile media marketing is extremely effective, as it requires simply remembering a keyword, instead of a whole slew of numbers. By punching in just 4 digits (#250) and stating the keyword mentioned in the advertisement, consumers will be directed right to the business’ call center, website or retail page.  It is also Bluetooth friendly, so you can say the keyword and are connected immediately. Hands free, being the safest driving option, is a huge part of #250’s campaign.

So far, the response has been excellent.

KC Campbell, Western Region Affiliate, said that “clients in LA have seen as much as an 86% increase in their calls in the first month.” Some companies have had to staff up to handle the call volume.

Businesses can choose their own keywords as well. This factor is “unique to each individual client,” said Campbell. So instead of hearing an ad on TV or radio that prompts you to call “1-800-GET-THIN,” customers simply dial #250 and say the keyword “Get Thin.”

And as far as performance tracking, they have that covered too.

“We can see we got “x” amount of calls and there is empirical proof of it because we have the numbers and times that these calls went through.” This allows data to be very specific, as you can see the duration of the call or if a text message was accepted.

Mobile marketing media, like #250, has a great possibility of making radio work more efficiently. With more response options and an easier method of remembering your product, consumers will most likely be responding faster and in greater volumes.

That is the main goal, anyway.

5 Tips for Advertising on Local Radio

radioHowever, there are still millions of people out there who find this free resource invaluable. Don’t overlook these consumers, as radio is affordable and working for many agencies. Here is a little cheat sheet on how to successfully advertise your business or product via radio.

  1. Find High Frequency Ads
Running your commercial only once or twice a week isn’t enough. In order for listeners to really absorb your information, you need to run your ad multiple times a day on a local station. A commercial will have a better change at resonating with potential customers this way. Just be aware of the “nag” factor, as playing your commercial too much can possibly create a distance with customers.      2. Production is Crucial Radio gives you the chance to be extra creative on a small budget as you are depending on the listeners  imagination. Since production is simpler, all you need is good voice talent, music, an original, innovative script and sound effects. However, since your commercial isn’t relying on visuals, it is imperative to capture your audience with these tools, right away. Keep your copy clear and concise. And find good voice talent, with a strong radio presence. An experienced ad agency has access to good talent for less and can write and produce your spot so that it has the best chance of succeeding.     3. Know Your Target Audience You need to know that your target audience is listening to your commercial. The best way to do this is to find radio stations in your market. Some simple investigation can help you figure out what kind of listeners are tuning in to these stations and if they could be potential customers for your service or product.     4. Timing is Everything Radio ad rates are divided into four quarters, for the year. Generally speaking, ad rates are less expensive in the first and third quarters. Running your commercials during these time frames can be cheaper to advertise and potentially easier to negotiate rates with the station. By keeping in mind quarters or the time of year you are advertising in, you have the potential to be more creative with your approach. For example, by connecting your product with the time of year, or say, a holiday, you can establish a closer connection to your audience.    5. Find the Best Rates Obviously, you want to get the most bang for your buck. Even though ad rates are always rising, there are bundle deals and remnant ad agencies that can help you stretch your dollar. Sometimes, the more ads you buy, the better. Keep an open mind as well. In the new age of media, it is important not to forget about ad-supported free versions of apps like Pandora and Spotify, as they do run local advertisements. Since these apps have access to your registration information, like zip code, gender and birth year, they are able to provide relevant advertisements to each listener. I hope you found these tips helpful! For more information, you can contact Media Partners directly at (800) 579-3031.]]>

Writing Radio Ads that Work

writing Because the power of radio relies so heavily on the quality of the copy, it is in your best interest to find a writer who recognizes this medium and understands how to target your specific audience. Here are some tips for writing ads that will work and generate sales. 1. When Hiring a Writer The best writers are those with broadcast experience. Radio relies on skill and salesmanship so you need someone who has an understanding of  direct response marketing. You also need to be willing to spend some money, as good writers aren’t cheap. When hiring a writer, remember to let them write. Good writers will listen to you, but they will also do what is necessary to create the best ad to sell your product. Don’t get in their way and take over the project. Let them do what you hired them for. 2. Timing Most radio spots are broken up into 30 second or 60 second segments. 60 seconds gives you twice the amount of time to get listeners attention. 30 seconds are usually good for well known products or a simply offer. We typically advocate for a 60 second commercial, as you need to mention the phone number or call to action, such as go to your website, at least three times. A 30 second advertisement is usually too short to include everything you need. 3. Call Now! Since the main focus of direct response advertisement is to make the phone ring with inquiries, everything in the spot should prompt the listener to pick up the phone and call. Offer free consultations, free information or limited time offers to instill a sense of urgency in the customer. You want them to ACT NOW. 4. Selling Comes First When you only have 60 seconds to work with, every single second counts. Get the listeners attention, make an offer and generate a response. That is your objective.  A good way to test if your ad is concise enough, remove the product from the copy. If you still have a complete concept, then your ad isn’t selling. The product, website, offer, phone number or selling idea should make up the entire spot. 5. Know Your Audience This is key in any form of advertising. With radio, you have two options: Talk Radio and Music Radio. With Talk Radio, your audience is ready to listen. Catching the listeners attention or blending into the surrounding talk are two ways to infiltrate talk radio. You want to encourage further listening. With music radio, your ad will be an interruption. Your spot must peak the listeners interest before they can change the station. 6. Choose a Creative Format There isn’t a set way to write a radio ad, however, here are a few creative formats that have been proven to work and get your listeners calling. Straight Announcer- With a clear, straightforward copy and a strong, direct voice, nothing could be simpler for your ad. The announcer should speak as if addressing one single person. Asking questions such as “Have you ever…?” or “Wouldn’t you like…?” helps create a personal connection with the listener and makes the ad feel less like a lecture. With the right voice, this effortless approach can pull listeners in quickly. Dialog – A typical example of this type of format, involves two people conversing with one another. One person is excited about a product or service and wants to share this information with the other person, who knows nothing about it. That person asks questions, while the other relays the information, thus divulging your product or services main information. If you have voices that match your demographic, speaking in a believable way, then this ad will come across as a testimony or referral, which is great for business. Person on the Street– Asking real people what they think of your product is a great attention grabber. Get the person you are talking to on the street to describe how the product worked in their own words, or how it benefited them. Ask if they would recommended this product to others. Listeners will hear real people giving their true opinions and this will act as a testimony to your product. You can take this one step further by having the person on the street address the audience directly. Add in a celebrity endorsement or an experts opinion works great as well. Vignette– This creative format, starts off with a short life scene exhibiting a problem. Then it cuts to the announcer who will describe your product as the solution. Time permitting, the life scene will continue, this time to show how your product has made their life easier. Make sure to return to the announcer to end the spot with a call to action and your 800 number. 7. Establish name identification early and often Give the name of your company, service or product early in the spot. Since you only have 60 seconds, you want to establish everything your listener needs to know about your business as quickly and efficiently as possible. Repeat this information at least three times throughout the ad. 8. Use a memorable or relevant 800 number Most radio isn’t interactive, like podcasts and apps like Pandora where you can click to call or purchase right from your phone. Most listeners are in the car or at work when they hear your ad. Therefore, they need to be able to remember your phone number if a phone isn’t within their reach.  A special 800 number relevant to your product, is very helpful. 9. Call to Action Answer the question that listeners might have: “What do you want me to do right now?” Of course, you want them to call! Don’t be subtle about it either. For example, the announcer could say, “For a free brochure on how to get rid of extra weight fast, call 1-800-LOSE-FAT.” 10. Limited Time Offers People respond well to limited time offers. It provokes a sense of urgency and urges a call to action. People don’t like to miss out on good deals. Establishing a deadline forces an immediate response. I hope you found these tips for writing radio advertisements helpful! For more information, call us at 800-579-3031.]]>

Programmatic Television

By David Alpernd2c_logo_2016 Media Partners Worldwide is attending the ERA (Electronic Retailers Association) conference this month (September 13-15, 2016) in Las Vegas and one of the buzz words at the show is sure to be programmatic TV. Programmatic TV is gaining ground as data and automation advertising technologies advance. Programmatic TV provides the ability to finally be able to use television advertising to target specific audiences in a manner similar to digital programmatic advertising. What this esera-nataliesentially means is that TV media buying will ultimately move away from spots sold on a gross rating point (GRP) basis to an environment where ads seek targeted impressions bought on a CPM basis. Similar to digital today, TV advertising won’t be identical from screen to screen, but will vary based on hundreds of granular household or viewer data attributes. Challenges still exist on the journey to programmatic TV including the pace of household technology adoption. Devices such as over-the-top (OTT) and connected TV lend themselves quite well to the new programmatic ecosystem. Programmatic TV buying is far ahead on platforms like Roku and Hulu than can be found on national and local cable networks. Other challenges include measurement as both Nielsen and comScore are talking about implementing measurement capabilities but are not entirely there, yet. So, make sure to become familiar with programmatic TV advertising. It’s the wave of the future in advertising.]]>

MPW Invited to #WHCD

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Five Podcast Myths Debunked

Gregory GalantBy Gregory Galant


  Reposted by: Clayton Gibson “Thou shalt podcast” seems to be the message handed down to marketers by new media pundits nowadays. It’s true that podcasting and advertising in podcasts holds a lot of promise for marketers. But this opportunity can easily be missed because of many of the myths out there, leading to doomed-from-the-start experiments in podcasting or lack of experimentation due to fear of the unknown. Let’s dispel the top five myths of podcasting and podcast advertising so we can focus on the facts. Myth #1: There’s a huge incentive to fast forward ads If you choose to place your ad or sponsor message in an existing podcast, will it simply be skipped? After all, Steve Jobs last year called podcasting “TiVo for radio,” emphasizing its on-demand nature. TiVo, of course, gives all us marketers nightmares of couch potatoes with their hand on the remote just waiting to skip the next commercial break. Podcast users are no couch potatoes. For audio podcasting, listeners set the iPod to their favorite show, then put their hands back on the wheel if they’re driving, mouse if they’re multitasking or treadmill if they’re exercising. It’s simply not worth it to fast forward a short, interstitial ad for most people. Even if they do have their hand on the dial, ads in podcasts can be made relevant, short and tasteful because of the niche and opt-in nature of the medium, removing the incentive to fast-forward that audiences have in mass media. Myth #2: You can’t know the profile of a podcast’s listeners or viewers You don’t need to hack into Apple’s database to know who’s using a podcast. Most podcasts have focused content that gives you a pretty clear concept of who’s tuned in. Many podcasters have been quite successful at getting their audience to fill out demographic surveys. Every single media file download can be tracked to determine where people are downloading from and what type of software they’re using to access the podcast. More and more podcasts even have community functionality on their websites that allow for profiling of users. The $20-billion terrestrial radio ad market still relies on diaries kept by a small handful of individuals. Podcasting offers a level of measurability unprecedented in similar forms of media. Myth #3: There are an abundance of phantom downloaders inflating statistics As podcasting gained steam, savvy marketers were quick to ask a very important question: “If people can subscribe to podcasts and get new episodes automatically downloaded by iTunes, won’t there be a lot of people who subscribe but don’t listen?” These non-listening and non-viewing subscribers would be phantom downloaders, and indeed would be a huge menace to anyone who uses podcasting as a marketing tool. Luckily our friend in Cupertino came to the rescue and put the kibosh on phantom downloaders. iTunes by default will stop downloading a podcast if the user doesn’t access one of the podcast’s last several media files. This means if someone subscribes to a podcast but doesn’t listen to it or view it, they won’t be a subscriber for long. Not only is podcasting opt-in, but it requires an ongoing commitment to stay opted in. Myth #4: Creating an effective podcast is cheap and easy Anyone can produce a podcast for next to nothing in cost. In your basement, you can use a $15 mike and open source software to launch your very own podcast. Okay, maybe a $15 mike is a little on the cheap side, but with only a few hundred dollars’ worth of equipment you can achieve pretty good audio quality. So if it’s so cheap to produce your own podcast, why not launch one today? iTunes is flooded with failed podcasts produced by marketers who ignored the two “c”s of podcasting: content and consistency. It’s easy to write out a script for a podcast pitching what your company does and have someone read it into a microphone. But who’d want to listen to that? Creating compelling audio or video content isn’t easy. It requires you to have great talent working in a dynamic format that entertains and informs users. And if you can do that perfectly only one time, you’re in trouble. A successful podcast builds audience over a series of consistently good episodes. Myth #5: You need to do distribution deals for a podcast Many podcast companies include in their pitch that they’ll give you some kind of unique and ill-defined “distribution” for your podcast. Don’t buy it. At least for now, all of the meaningful podcast distribution is free. As long as your media files are properly formatted and your RSS feed includes the right tags, you can get your podcast listed in iTunes and in all of the podcast directories that matter. Conclusion It’s easy to define what’s not true about podcasting (I’ve managed to do it in the number of words iMedia allotted me), but fully capturing podcasting’s true potential as a marketing tool in a brief article is impossible. While there are lots of success stories in podcast advertising, there’s still room for much more creativity and innovation in the medium. Now that we’ve got our facts straight, it’s time to explore the opportunities podcasting offers. Read more at http://www.imediaconnection.com/content/11221.asp#87rBJMeJqMIlbu2e.99]]>

Millennials’ Media Habits by Life Stage

Reviewed by David Alpern The new Nielsen Total Audience Report studies millennials’ changing media habits by life stage and finds that they vary sharply as their lives go through the rapid transition typical of people in their 20s and 30s. The report, released in late March, affirms that it is difficult to classify millennials as a monolithic demographic with a common set of media behaviors. Labeled Millennial Life Stages: Impact of Technology, Services and Media Behavior, the report shows how U.S. adults 18-34 are in a state of rapid transition, moving from a parent’s home, to the workforce, to their own homes, to starting a family with children. The study of millennials broke the group into three life-stage categories and found big differences in media preferences and device penetration among:

  • Dependents – those living in someone else’s home
  • On Their Own – living in their own home without children
  • Starting a Family – living in their own home with children
Each day the average person 18-34 spent four hours and eight minutes using a TV set, combining two hours and 45 minutes of watching live TV each day together with one hour, 23 minutes using TV-connected devices. Key findings include:
  • The count of Millennials 18-34 years old is second only to Baby Boomers: There are ~75 million millennials compared to ~77 million Baby Boomers.
  • 91% of On Their Own Millennials are in the workforce, 58% have white-collar jobs
  • 69% of the On Their Own segment are renters – more so than the Dependents and Starting A Family segments
  • On Their Own Millennials have the highest penetration of multimedia devices and access to Subscription-based Video-on-Demand (SVOD) services (like Netflix and Hulu), and spend the greatest amount of time with TV-connected devices. They have the lowest penetration of traditional sources of video (multi-channel subscriptions/working antenna). They spend the most time outside the home living life and thus watch the least amount of live television of the three millennial groups
  • Dependent millennials watch and use a little less live TV than the average TV Screen Usage
  • Starting a Family segment has greater multi-channel penetration than the On Their Own group (79% vs. 72%) and are otherwise more likely to have a working antenna (14% vs. 12%). This is the millennial group that spends the most time at home, thus their time spent watching and using TV is the highest
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Infinite Dial 2016 – Study On Digital, Mobile Growth

By David Alpern The annual Infinite Dial study was recently released. It examined the expanding proliferation of smartphones and digital Infinite Dialaudio services, such as listening to online radio and podcasts. The research found that half of the audience now listens to some sort of online radio each week, up from 44% last year. Here are some highlights of how content delivery is evolving:

  • 57% of Americans use online radio each month
  • Podcast listening is growing on a monthly basis (17% to 21%) and weekly (10% last year to 13% this year). Weekly podcast listeners listen to an average of five podcasts per week
  • In-home ownership of a radio receiver has dropped. 79% have a radio at home. Eight years ago it was 96% = nearly every home in America. Among 18-34-year-olds, radio ownership in the home is down from 94% to 68%
  • Pandora remains the best-known online audio brand with 82% awareness. Apple Music which invested heavily to relaunch a year ago is second (67%). iHeartRadio, the largest broadcaster in the country is close to Apple (65%). Spotify has strong brand presence (52%)
  • Music streaming among the 12-24 demo finds that 43% listened to Pandora within the past month and 30% listened to Spotify
  • Spotify gained as the “Audio Brand Used Most Often,” up from 10% to 14%. Pandora leads everyone with 48%
  • Broadcast radio is tied for the lead among all audio sources for keeping up-to-date with new music – ahead of YouTube. However, among 12-24s, broadcast radio falls to third (58%), behind YouTube (86%) and friends/family (74%)
  • Smartphone ownership continues to grow, reaching 76%, up five percentage points since last year. Among 12-24-year-olds, smartphone ownership rose to 93%. Even seniors are getting “smart” with more than half now using a smartphone – up 45 to 51%
  • On demand video-subscriptions are at 51% of the country. The largest is Netflix. 43% of all survey respondents subscribe to Netflix
  • Facebook remains the most-used social media platform (64%). Among 12-24s Snapchat (72%) and Instagram (66%) lead the social media pack
Media consumption is dramatically changing. Mobile is increasingly being utilized as a “first screen” after several years of having established itself as the “second screen” supplement to traditional HDTV set viewing. Podcasts and on-demand video services are allowing for binge watching and listening, and their anticipated future growth will continue to impact and change the media landscape. Expect to see online radio continue to increase its audience reach and join smartphones and social media as broad mainstream activities.]]>

DR Solutions at Natural Products Expo West

By Clint Gearheart and David Alpern Media Partners Worldwide is attending this weekend the largest event in the organic and natural products marketplace, Natural Products Expo West. Expo WestHeld each year in Anaheim, the event hosts more than 3,000 companies and 70,000 attendees. The natural products industry is experiencing growth of 9% per year, driven in part by new and emerging brands. This year there are more than 600 entrepreneurial exhibitors, many of whom have yet to understand how direct response (DR) advertising plays a key role for nutraceutical products. Nutraceuticals, all natural products and homeopathic solutions have been using direct to consumer marketing channels successfully for many years. One reason is there are many emotional problems that can be solved. A ‘natural’ component that helps DR work is the ability to create emotion around a product or solution. Another reason is continuity products are the gift that keeps on giving in DR.  The demo for many of these products and solutions are huge allowing for many remnant DR strategies to work in a scalable fashion driving profitable bottom lines.  Another is lots of these products work very well online and offline creating diverse long term DR marketing strategies and outcomes. If you are attending Expo West and wish to discuss how your product can benefit from a media plan that spurs prospective consumers into buyers, then we would love to meet up with you there. Attending is our agency CEO, Natalie Hale, and our Chief Revenue Officer, Clint Gearheart.]]>

Google Changes How Ads Display on Computers

By David Alpern Two months after revealing testing of this tactic, Google this week announced that it is rolling out for computer desktop queries globally an expanded 4 ads at the top of search results pages (SERP). Advertisements will no longer appear down the right hand side. This echoes the mobile and tablet experience, which do not have sidebar ads, creating a seamless ad and search experience across mobile, tablet, and desktop devices. Google SERP This has been the buzz of the PPC and SEO communities this past weekend with many expressing shock. Small businesses with modest budgets will be hurt as the newly added 4th ad at the top comes in place of up to 7 first page slots of “ad real estate” on the (now defunct) RHS sidebar. Also, organic results are being pushed down even more. Bottom line, Google AdWords advertising is about to get more expensive (bidding wars) due to increased keyword bidding competition for the precious few spaces available on page 1. Expect to see the empty sidebar real estate on SERPs begin to be harnessed even more by Google’s various tools including Product Listing Ads, Google Flights, etc.]]>